2012 | The William Benton Museum of Art

January 17 – March 11, 2012

In concert with the campus-wide initiative UConn Reads and inspired by the stories recounted in Half the Sky: Turning Oppression into Opportunity for Women WorldwideM by Nicholas D. Kristof and Sheryl WuDunn, the William Benton Museum of Art presents Half the Sky: Historically. This exhibition takes place on the Benton balcony and consists of a selection of works giving historical perspective to the issues raised by Kristof and WuDunn.

Half the Sky: Historically runs concurrently with Half the Sky: Visualized, an exhibition of contemporary work exploring gender-based oppression on view at the Contemporary Art Galleries at the School of Fine Arts, Art Building from March 5 – April 19.

Abraham Bosse. French, 1602-1676. Le Mari battant sa femme (The Wife-Beater). Etching with engraving, c. 1633. Robert S. and Naomi C. Dennison Acquisition Fund

Abraham Bosse. French, 1602-1676. Le Femme battant son mari (The Husband-Beater). Etching with engraving, c. 1633. Robert S. and Naomi C. Dennison Acquisition Fund

Horace Brodzky. Australian, 1885-1969. The Expulsion. Linocut, 1919. Gift of Nancy J. Barnes in memory of Dr. Todd M. Schuster, Professor of Molecular and Cell biology, University of Connecticut.

Käthe Kollwitz, German, 1867-1945. Raped (Vergewaltigt). Plate 16 from The Peasant War series. Etching and soft-ground, 1907. The Walter Landauer Collection of Käthe Kollwitz

Anna-Maria van Schurman, German-Dutch, 1607-1678. Self-Portrait Stipple and line engraving with platetone, 1640. Gift of the Members' Fund and the Deaccession Fund purchased from Paul McCarron, NYC — Anna-Maria van Schurman, German-Dutch, 1607-1678. Self-Portrait Stipple and line engraving with platetone, 1640. Gift of the Members’ Fund and the Deaccession Fund purchased from Paul McCarron, NYC

January 17-March 11, 2012

Classical mythology has a long relationship with the visual arts, but the representation of myth in painting, sculpture, and print is never simple illustration. The collection of stories and characters that we know from the poetry of classical writers like Virgil, Ovid, and Homer were once the components of the ancient Greek and Roman religion. Early representations of deities stood larger than life in temples as the physical manifestation of the divine presence. Removed from a pagan context in the Middle Ages, classical mythology fueled the imagination of later artists who often conflated classical subject matter with classical style. Even after the taste for classical proportions and for academic art was upset by subsequent artistic movements in the 19th century, classical mythology continued to provide rich thematic material for generations of artists.

This exhibition examines the enduring appeal of classical mythology in the 19th and 20th centuries even for artists with no interest in classicism. Drawing only on works from the Benton’s permanent collection, Classical Mythology in Modern and Contemporary Art demonstrates the myriad uses to which a diverse group of artists have put classical subject matter. Among the artists are Arthur Bowen Davies, George Bellows, Max Slevogt, Heinrich Campendonk, Reuben Nakian, Nancy Goldring, and James Fee. Many of the objects are works on paper though examples of photography, painting, and sculpture with mythological themes are also included.