October 28, 2020 to March 12, 2021
This curricular exhibition and related website support the teaching of a new introductory environmental literacy and science course offered by the Department of Geosciences at the University of Connecticut, GSCI 1000E The Human Epoch: Living in the Anthropocene. The course is intended to help students better comprehend global environmental change and to combat “eco-anxiety” by understanding how the Earth actually works. The exhibition offers a point of entry for the broader campus community, as well as the general public, to a set of key questions addressed in the course such as: How does the Earth work, and is it fragile? How and why have humans changed it? How does climate change fit into the larger story? When and how will our epoch end?
Curated by Robert Thorson, Department Head and Professor, Geosciences, with Amanda Douberley, Assistant Curator/Academic Liaison, William Benton Museum of Art.
See Programs below the images.
Conversation with the Curators: Living in the Anthropocene
Join Robert Thorson, Department Head and Professor of Geosciences at UConn, and Amanda Douberley, Assistant Curator/Academic Liaison, William Benton Museum of Art, for a discussion of the exhibition, The Human Epoch: Living in the Anthropocene. Offered via Zoom Webinar.
Registration Link: https://zoom.us/webinar/register/WN_sA7QzsOIRwCxtjgQyd1gIg
Critical Looking: A Virtual Dialogue
Tap your powers of observation and investigate a single work of art through close looking and discussion with Amanda Douberley, Assistant Curator/Academic Liaison. The program will focus on works featured in Living in the Anthropocene during November and December. Visit our calendar to register.
- November 4, 6:00-6:30pm William Louis Sonntag, Blue Ridge Wilderness, c. 1859
- November 18, 12:15-12:45pm Truman Ward Ingersoll, Devil’s Punch Bowl #129, 1885-1890
- December 2, 6:00-6:30pm Joseph Pennell, Coal Mine, Longport, 1909
- December 16, 12:15-12:45pm Ansel Adams, Winter Sunrise, Sierra Nevada from Lone Pine California, 1944